a gay and terrible poison

Don’t you want to preserve old things?”

“But you can’t, Anthony. Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay. And just as any period decays in our minds, the things of that period should decay too, and in that way they’re preserved for a while in the few hearts like mine that react to them….”

—-

As the conversation continued in stilted commas, Anthony wondered that to him and Bloeckman both this girl had once been the most stimulating, the most tonic personality they had ever known – and now the three sat like overoiled machines, without conflict, without fear, without elation, heavily enamelled little figures secure beyond enjoyment in a world where death and war, dull emotion and noble savagery were covering a continent with the smoke of terror.

In a moment he would call Tana and they would pour into themselves a gay and delicate poison which would restore them momentarily to the pleasurable excitement of childhood, when every face in a crowd had carried its suggestion of splendid and significant transactions taking place somewhere to some magnificent and illimitable purpose…. Life was no more than this summer afternoon; a faint wind stirring the lace collar of Gloria’s dress; the slow baking drowsiness of the veranda…. Intolerably unmoved they all seemed, removed from any romantic imminency of action. Even Gloria’s beauty needed wild emotions, needed poignancy, needed death….

—-

Marriage was created not to be a background but to need one. Mine is going to be outstanding. It can’t, shan’t be the setting – it’s going to be the performance, the live, lovely, glamorous performance, and the world shall be the scenery. I refuse to dedicate my life to posterity.

a few months ago i read the beautiful and the damned by scott fitzgerald. today i’m putting things in order, so i’m cataloging these quotes, moments of quiet beauty in an otherwise brutal book.